Milano 2012 – La Triennale

A Q&A with Francesco Bandini and Michele Iacovitti 

Interface first exhibited at La Triennale in 2011, with the highly conceptual presentation, The Positive Floor. Such an innovative way to present carpet tiles had never been seen before in the industry, and earned Interface widespread recognition as a true design leader.

250m2 of mirrors on the ceiling reflected the stunning designs of the carpet tiles, creating the illusion of an elevated floor – a ‘positive floor’ forwhich there was no longer the need to look down. The shape of the exhibition units, reminiscent of the disrupted lines of a river-bed during a severe drought, raised awareness of climate change issues and of Interface’s approach to sustainability.The Positive Floor received praise from all over the world. The press described it as one of the few ‘must-visit’ exhibitions during Milan Design Week, and internationally respected designers expressed their admiration.

Following the incredible success of The Positive Floor, this year’s Interface exhibition shows all the signs of becoming another global success story. We talked to Michele Iacovitti, Vice President Marketing Communication & Branding at Interface, who created the Metropolis concept, and to Francesco Maria Bandini, the architect, artist and fashion designer who helped visualize it in a stunning design exhibition.

Michele,  you have told us already about the Metropolis concept, but what is its core expression at the Triennale exhibition?

 Michele: Well, with Metropolis our product designers wanted to create a collection that reflects this year’s leading design and socio-cultural trends. Trends that are about the fall and rebirth of human cities, about the natural regeneration of things into a more sustainable future, and about the power of nature over architectural destruction. I asked Francesco how we could express the terrifying signs of a catastrophic event – but, at the same time, also express the hope for a new, better future. We wanted to express the human hope for something better than we have left behind or that no longer exists.

 Francesco: When Michele presented to me the idea of Metropolis, the first thing I thought was, “La fine di un’Era è necessariamente l’inizio di una nuova”, which means, “the end of an era is necessarily the beginning of a new one”.It may sound obvious, but I looked deeper into this subject, keeping my focus on the human aspect and on the elements associated with the theme of rebirth. Just like all other living creatures, humans have instincts for survival, adaptation and a sense of community. However, what differentiates us from the rest of the natural world is a sense of self-perception and the constant need for not simply expressing ourselves but for expressing ourselves through real beauty.

 

So you mean that for the Metropolis  design exhibition you wanted to create something beautiful?

 Francesco: I believe that the visitors at the Triennale exhibition will be the best ones to answer that question! What I mean is that the concept of beauty in its integral meaning has been fundamental for me when developing the design concept of the exhibition.

To find the ‘design key’ of how to transmit this, I asked myself a simple question: what image would a human mind conceive at the moment of the revelation that all of the known world is gone and that something new is being created? And I imagined light, pure light as the key element of the creative concept of the Metropolis exhibition – because everything has its origins in light.

 Michele: Exactly – a pure expression of the alienation of everything, from which everything will be reborn. Pure light, the origin of existence, from which extraordinary forms will take new life. Something new, outstanding, and more sustainable.

In our Metropolis product collections, and then supported by a strong visual campaign, we have symbolized the past, present and future of human civilizations and their cities – their Metropolis indeed. The design concept of our exhibition at the Triennale symbolizes therefore the future…

So this explains why you chose the name ‘Metropolis’ and also why pure light is the key design element in your exhibition?

 Michele: It certainly does. Metropolis is like the hopeful vision of a new and more sustainable future after an ideological apocalypse. We have conceived an imaginary place where we all dream of living and working. A place like a cocoon, inviting us to nest and be creative. The Metropolis exhibition expresses humankind’s continuous desire for constant regeneration; the everlasting hope for something new and better that will follow any destructive or apocalyptic event.

 Francesco: Indeed, something as beautiful as pure light. The exhibition emerges from the ground that has now lost its physical connotations to become something transcendent, from which the matter, now seen as new opportunities, is reborn in all its beauty and possibilities. This is represented by an ordered series of geometries that rise dramatically up towards the sky, symbolizing the initial fragments of what will be a new path for humankind’s rebirth.

[Facebook] [LinkedIn] [Twitter] [Email]
Posted in Category Design Inspirations | Leave a comment

In with the Old — and the New

We’re going back to our roots. As of today, our company and brand are simply Interface®. It not only honors the legacy of our late founder, Ray Anderson, but it also celebrates the vision and innovation that got us where we are today. The vision and innovation that will take us where we want to go.

We’ll mark the change with events and activities throughout the coming year beginning with the unveiling of a progressive new look at La Triennale di Milano during Milan Design Week. We’re still the same company, but we have some exciting things in store that we want to share with all of you.

So please visit About Interface on our website where you’ll find a commemorative e-book and a short video on our heritage and aspirations. As always, we look forward to hearing from you.

[Facebook] [LinkedIn] [Twitter] [Email]
Posted in Category Culture & Play | Leave a comment

Dr. Dayna Baumeister

Biomimicry: a “trend” of the last 250,000 years

Biomimicry—from the Greek, bios, meaning “life”, and mimesis, meaning “to imitate”, is an emerging discipline with an ancient practice. Since humans first wandered the plains of Africa a quarter of a million years ago, we have turned toward our fellow planet mates for guidance on how to live well in the places we inhabited. Throughout the millennia, nature has offered lessons learned for the borrowing. Yet, the rise of the industrial revolution yielded a shift from nature as mentor to nature as resource, the consequences of which have both led to the complete colonization of the planet by Homo sapiens, and significant indications that this wholesale strategy may not be in our or the planet’s best long-term interest.

Natural_Beauty

Bringing i2® to another level, Kaleidoscope takes inspiration from the serendipitous pattern of a multicolored, leaf-strewn forest floor and allows random mixing of i2 tiles in four colors to create a unique look every time. Designed to be installed in any order, the tiles comprise a highly efficient and sustainable system that further enhances selective replacement capabilities.

Over the last 15 years, curious designers and innovators of all walks of life have been revisiting the inspiration and guidance from the time-tested strategies of the other 30 million species on Earth. We recognize biomimicry today as the conscious emulation of nature’s genius. Media is filled with amazing, hopeful stories from around the world of how designers, engineers, entrepreneurs, and biologists are asking nature for solutions to some of the world’s most critical sustainable design challenges. Through careful emulation of biological strategies, the wisdom of the planet is changing everything from the way we create color, communicate, and package and transport goods, to maintaining health, designing cites, and growing food. Inspiration from the smallest of organisms like termites and bees and sponges are changing the way we design buildings, manage traffic, and improve ventilation. While whales are teaching us to better harness wind, forests teach us how to manage industrial systems, and lessons from deep sea vents are transforming energy production.

Ivy_League

Inspired by the principles of photosynthesis and the growth patterns of ivy, Sustainably Minded Interactive Technology devised a means of applying photovoltaic technology to vertical spaces in an aesthetic way. Solar Ivy is a customizable, non-toxic and completely recyclable modular system that brings a technology traditionally restricted to rooftops to almost any architectural surface.

By reconnecting nature with what it means to be human, our opportunities for fostering a world mentored and empowered by nature’s genius abound. And this potential lives within all of us. The next opportunity you have to spend time in nature, don’t forget to ask, “how would nature solve this?” Her answers might just create the foundation of your next brilliant and sustainable innovation.

For more information about biomimicry and the trainings and certifications that Biomimicry 3.8 offers, visit www.biomimicry.net

[Facebook] [LinkedIn] [Twitter] [Email]
Posted in Category Biomimicry | Leave a comment

Jennifer Busch

Faster, Cheaper…Better

Good design is increasingly critical to good healthcare

If the healthcare sector routinely exists at the center of multiple, sometimes opposing forces, today it is being pulled in more—and more complex—directions than ever before, all of which have some influence on the design of medical facilities.

Let’s start with the obvious—the economy. If the healthcare sector did not experience the kind of cataclysmic downturn suffered by other sectors, it’s only because profitability margins in healthcare have been trending downward for years, even as the cost of medical care to the patient continues to rise. The demand for state of the art healthcare and healthcare facilities is increasing as the Baby Boomer generation ages, yet the available capital funds necessary to build and renovate have been significantly curtailed by a loss of investment income. Uncertainty around President Obama’s healthcare reform act, which is being contested in the Supreme Court as I write this, makes long term planning difficult. And by the way, the patient at the center of all this is an increasingly sophisticated consumer, so the competition among healthcare providers to attract and retain the best medical professionals, and provide the best care in the best facilities, is fierce.

Northwest Community Hospital South Pavilion, Arlington Heights, IL, designed by Cannon Design; Photography by Christopher Barrett

Adding to the complexity is the broader role of healthcare facilities in our built environment. “These projects are so large, touch so much of the urban fabric, involve so many people, and are so expensive, that they must be treated as the major civic structures they are,” says Randy Guillot, Design Principal at Cannon Design in Chicago. Gone are the days when creating healthcare environments involved little more than designing to code. “The quality of design in these buildings is really high,” notes Guillot, “and talented designers are bringing the latest design tools to bear, not just on the design, but on the functional areas as well.

All this makes the role of the healthcare architect and interior designer more challenging—and more critical—than ever before.

What is the design response to the many social, economic, political, demographic, and technological trends tugging at the healthcare sector? “The value proposition is better, faster, cheaper,” says Jeffrey Stouffer, Principal at HKS Architects in Dallas. The “faster” part increasingly is being addressed with lean project delivery, a risk/reward equation whereby owner, developer (third party developers, once an anomaly, are increasingly common in the healthcare sector), architect, and contractor all share the responsibility for cutting out waste in the design process and delivering the most operationally efficient facility possible—a better, more functional facility.

“The premise is that if you do it better, it will also be cheaper,” Stouffer adds.

Some examples of “better” design in healthcare, he says, include improved functional adjacencies for ideal operational flow and improved delivery of care in a reduced amount of space, shorter foot travel distances for caregivers on the job, a reduction in supply waste, and the introduction of sustainability measures that reduce long term operational costs.

Integris Health, Edmond, OK, designed by HKS; Photography by Blake Marvin

Ultimate flexibility is also key to long term operational efficiency, so the universal patient room, which is scalable and adapts to alternate uses, is increasingly favored in the design of acute care facilities. Otherwise, patient rooms are designed to accommodate family members around the clock as much as patients, and in some cases—especially in pediatrics—family members are encouraged to take an active role in the care of the patient. This provides psychological benefits for the patient, but also reduces strain on the nursing staff.

Maintenance is another huge factor of operational efficiency, and should inform the intelligent selection of materials and finishes. “We need to do more with less so we need to be looking at life cycle costs of materials and not just first costs,” says Guillot. “Flooring is a great example. Maintenance can quickly eclipse the first cost of a material if not chosen wisely.”

There is also growing documentation of the benefits of evidence-based design in healthcare, thus moving the concept out of the realm of the theoretical and into the realm of best practice benchmarking. Key findings on the environmental aspects of healthcare design indicate that daylighting, exposure to nature, strategic use of color, inclusion of artwork, and individual control of the patient environment all contribute to more positive patient outcomes. “We have been doing all of these things intuitively,” says Stouffer, “but we are starting to gain quantitative evidence that they provide true benefits.”

Among environmental factors, acoustics has become an area of particular concern. For example, “We have so many hard surfaces to keep the facility easy to maintain and as a result, have noisy environments impacting caregiver ability to concentrate on tasks and the patients’ ability to rest and heal,” says Guillot. Cannon Design is currently involved in a research study on the impact of acoustics on patient outcomes.

Both Guillot and Stouffer note that healthcare is shifting more and more toward an ambulatory care model. “Healthcare at home is on the horizon,” says Stouffer, since modern technology increasingly allows for remote diagnosis and treatment. And Guillot points to a new trend around a “retail” approach to healthcare, where services are available in retail settings away from the traditional hospital, clinic, or medical office building. “What does this mean for design?” he wonders. “How do you extend the brand of a provider into a new setting?”

In any case, gone are the days when only the rare architect or interior designer actually chose to specialize in healthcare design. “There is a vitality in healthcare design at the present time,” says Guillot. “Healthcare has moved into the general mainstream, and it is likely to stay there. Hospitals and other healthcare related projects are now judged in the same terms as all great architectural projects. They are expected to bring forth the same level of craft, innovation, and most importantly—intellectual and creative ideas.”

Even Starchitects like Frank Gehry have gotten into the act… http://www.architectmagazine.com/healthcare-projects/lou-ruvo-center-for-brain-health.aspx

Interesting Fact: According to Jeff Stouffer, the cost of information technology in an acute care facility has now surpassed the cost of the medical technology housed therein.

[Facebook] [LinkedIn] [Twitter] [Email]
Posted in Category Design Inspirations | Leave a comment

Mikhail Davis

Turning a Recycling Quandary into a Reuse Opportunity

Many people consider InterfaceFLOR to be the expert in carpet recycling, maybe even “recycling nerds” if they’re feeling a little comedic. And while ReEntry® 2.0 kept over 25 million pounds of old carpet and carpet scrap out of the landfill in 2011 (and 253M pounds since 1995), our system is certainly not perfect. This winter, a partnership with one of the national experts in building product reuse has given us a new tool to tackle tough projects for which our recycling system has had no good solution. The pilot project, working with Nathan Benjamin, Founder of PlanetReuse, has already repurposed more old carpet tile in the first quarter of 2012 than we did in all of 2011.

The Challenge

More than 95% of our US products are 100% recyclable back into new carpet tiles through ReEntry 2.0. But it is also a fact of life at Interface that we continually strive for improvement, so 95% is not good enough. What is that other 5% anyway? The answer is that we manufacture one backing type, a polyurethane-based cushioned tile (NexStep), and import another (bitumen-based Graphlar from our factory in Holland) that have a very loyal customer base, but few end-of-life options beyond waste-to-energy conversion (which we consider a last resort, consistent with the EPA’s Solid Waste Hierarchy).

Polyurethane-backed tiles are inherently unrecyclable (you can’t re-melt this plastic), and the best that can currently be done is to shred them up and either use them to soak up spills or glue them back together as carpet padding (a classic case of “downcycling” to less valuable products in either case).

Interface_RecyclingBitumen dominates the carpet tile market in Europe, where we recently created the first closed-loop system for this backing, but it is rare enough in the US that no infrastructure exists to reclaim it other than waste-to-energy. We’re not going to ship it back to Europe for cost and environmental reasons and experiments recycling it using technology designed for other materials, including asphalt roofing shingles, have not been successful so far.

Exploring Reuse

Reuse has always been part of our ReEntry 2.0 system (about 140,000 pounds were repurposed in 2011), but it was mostly done on a one-off basis where opportunities to repurpose carpet were seized by motivated local salespeople or local charities and all the logistics happened to line up. Once old carpet tile is pulled up, there is always a very short window in which the building owner will hold it, so we need to have the logistics for donation or recycling come together very quickly.

What PlanetReuse adds is access to the national community of local building product reuse stores, which has revealed a very interesting fact to us: there exists a sizable aftermarket nationally for used carpet tile for use in multipurpose areas like entryways, basements and garages.

Successful projects in our pilot with PlanetReuse include moving several full truckloads of old competitor polyurethane tile into reuse stores in Denver and Kansas City, where it is selling well. It also turns out that the durable bitumen-backed Graphlar tiles, even after being used in a retail setting, are still sought after by homeowners for use in entryways and garages.

carpet_fiberWhile our priority for our recyclable products is getting the materials back, our pilot has also managed to find new homes from some of our recyclable carpet tile in local reuse stores in Missouri and Nebraska where transportation back to our recycling plant in Georgia proved cost prohibitive and the tile was still in good condition.

The pilot has also revealed that our focus on product durability and glue-free installation with TacTiles makes our product ideally suited to many reuse scenarios; broadloom or heavily glued tiles are usually too contaminated after removal to be re-sold.  From an environmental perspective, it’s a clear win for an old carpet tile to remain a carpet tile as long as possible before sending it to be recycled.

The Future

The next challenge will be to work with the network of reuse stores to get tiles back after their second life by creating incentives for customers to bring them back to the stores for reclamation or recycling (we still won’t want our product going to the landfill). Feedback from stores on this idea during the pilot has been unanimously enthusiastic. You never know, we might just have the beginnings of a national network of local recycling drop-off locations for carpet tile.

And that’s just the kind of thing that gets a bunch of carpet recycling nerds like us really excited.

[Facebook] [LinkedIn] [Twitter] [Email]
Posted in Category Mission Zero: #OffOil | Leave a comment